Category Archives: Glossary / Notes

Buss Up Shot !! Trinidadian Roti Paratha!!!

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The large Indo-Caribean community of the Caribbean Islands has a great influence on the food and culture of these islands. Today’s recipe is one of the Indo Caribbean speciality the famous Paratha roti – Buss up shot . So Soft and doesn’t become soggy long after it is made . The perfect combination of roti and paratha in one single thing !!

Ingredients : ( makes 2 or 3 roti paratha)

For dough:

1 cup all purpose flour
2 tea spoon baking powder
1 tea spoon oil
1 tea spoon sugar
1/4 th tea spoon salt or according to taste
Luke warm water, as needed

For spreding:
Clarified butter/ ghee/ margarine
Oil for frying

Procedure:

1. Take a wide bowl and mix 1 cup of all purpose flour with 2 tea spoon baking powder , 1 tea spoon sugar and salt to taste . Now add luke warm water gradually to make a soft dough . Knead . Now add 1 tea spoon oil and knead again . You don’t need to knead vigorously . Just enough to incorporate well.Make a round ball of the dough . Now cover the dough with a damp cloth for at least half n hour .

2. Dust the surface of the place for rolling . Now make 2 or 3 balls from the round ball and roll out thin . apply clarified butter/ ghee or margarine . Now take a knife and give a cut mark , then roll out the roti like a cone . Tuck the edge inside and flatten it like a patty .

3. Put these patties in a close lid box for atleast 2 hours . The more , the better , that would help to give that layered effect .

4. After 4 hours roll them out thin on a flour dusted surface . Fry them on a hot tawa . The roti will puff up . Brush little oil on each side of the roti . Not too much .

5. Smash the rotis with your hands or using two spatula to bring out the layers while they are hot .

Enjoy!!!!

Kabab Roll – Viqarunninsa Noon School Canteen Style

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I’m a proud Viqi !! Yes , my school is the most renowned school in Bangladesh, Viqarunnisa Noon School !! Among the all proud possession of the Viqis , the legend , the brand , the name Fakruddin Baburchi is one of them . Late Fakruddin Baburchi is a legend in the culinary field of Bangladesh , probably the most respected and renowned one . But behind all his success , there is an institution – our school Viqi Noon . Well , that’s a long story , may be some other day !!

For many years , the tiffins for the school girls are being made by the Fakruddin Baburchi and his heirs . The best snacks of our time . Still feel nostalgic thinking of them . The kabab porota ( kabab roll) is undoubtedly the best and most popular among all those yummy snacks . Just wanted to give a try . So here you go with Fakruddin Baburchi style kabab roll aka kabab porota . 🙂

Ingredients:

For the kabab:

1 lb / 500 gram ground beef mince
1 tea spoon ginger paste
1/2 tea spoon garlic paste
3 tbl spoon bereshta/ fried onion
1 tea spoon red chili powder
1 tea spoon paprika ( for color)
1/2 tea spoon dry roasted cumin ( jeera) powder
1/2 tea spoon cinnamon ( darchini) powder
1/2 tea spoon nutmeg powder
1/2 tea spoon garam masala/ kabab masala powder
2 tbl spoon chopped mint/pudina
1 beaten egg
1/2 tbl spoon yogurt
1 tbl spoon ghee
3 tbl spoon dry roasted chickpea powder or dry roasted besan or 1/3 rd cup breadcrumb
Salt to taste ( around 3/4th tea spoon)

Procedure:

1. Blend the mince again in a food processor with egg .

2. Now mix all the ingredients together and marinate for at least 1 hour. Shape them in a size and shape of sausages. Now bake in apreheated oven for 15/20 minutes at 400 FH or shallow fry in a frying pan .

Paratha:

Ingredients :

1 cup all purpose flour/ maida
1 tea spoon oil
1 tea spoon sugar
1/4 th tea spoon salt
Luke warm water as needed for kneading

Procedure:

1. Make a medium soft dough with the ingredients . Cover it with a damp cloth or cling film and let it rest for at least 1 hour .

2. Now oil the surface on which you will roll out the paratha and oil the rolling pin too . Don’t use any flour for rolling it out . Roll the porota out into a round disk . Now apply some ghee over the disk and dry out with cornstarch. Roll the disk into a log ( like a swiss roll) and shape it like a round patty .
You can also cut the disk and form a cone . Press the edges of the cone and form a round patty . Now roll again with the help of oil . Don’t use any extra flour while rolling out .

3. Dry fry it ( without any oil ) first . Then add 1 tea spoon ghee or oil on each side of the paratha and fry again .

Let it cool a little bit and assmeble the kabab into it .

Shami Kabab / āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ

 

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āϛ⧋āϟ āĻĨāĻžāĻ•āϤ⧇ āĻ­āĻžāĻŦāϤāĻžāĻŽ āĻāχ āĻ•āĻžāĻŦāĻžāĻŦ āϟāĻž āĻŽāύ⧇ āĻšā§Ÿ āĻļ⧁āϧ⧁ āĻ¸ā§āĻŦāĻžāĻŽā§€āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻžāύāĻžāύ⧋ āĻšāϤ⧋!āφāĻŽā§āĻŽā§ āĻ•āϤ āĻ­āĻžāϞ āϏāĻŦāĻžāϰ āϜāĻ¨ā§āϝ āĻŦāĻžāύāĻžā§Ÿ!!😜
āĻĒāϰ⧇ āĻŽāύ⧇ āĻšāϞ⧋ āύāĻžāĻš āĻāχ āĻ•āĻžāĻŦāĻžāĻŦ āĻŽāύ⧇ āĻšā§Ÿ āĻ¸ā§āĻŦāĻžāĻŽā§€āϰāĻž āĻŦāωāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻžāύāĻžā§Ÿ!😨
āφāϏāϞ⧇ āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āĻļāĻžāĻŽāĻŋ’ āĻļāĻŦā§āĻĻāϟāĻŋ āĻāϏ⧇āϛ⧇ āωāĻ°ā§āĻĻ⧁ “āĻļāĻžāĻŽ” āĻĨ⧇āϕ⧇,āϝāĻžāϰ āĻ…āĻ°ā§āĻĨ āϏāĻ¨ā§āĻ§ā§āϝāĻž.āĻāχ āĻ•āĻžāĻŦāĻžāĻŦāϟāĻŋ āĻŽā§āϘāϞ āϏāĻŽā§āϰāĻžāϟāϰāĻž āϏāĻžāĻ¨ā§āĻ§ā§āϝāĻ•āĻžāϞ⧀āύ āύāĻžāĻ¸ā§āϤāĻžā§Ÿ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇āύ āĻŦāϞ⧇ āĻāϰ āύāĻžāĻŽ āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ āĻŦāϞ⧇ āĻ…āύ⧇āĻ• āχāϤāĻŋāĻšāĻžāϏāĻŦāĻŋāĻĻāϰāĻž āĻŽāύ⧇ āϕ⧇āύ.
āφāϰ⧋ āĻāĻ•āϟāĻž āĻ…āĻ­āĻŋāĻŽāϤ āφāϛ⧇. āϤāĻžāĻĻ⧇āϰ āĻŽāϤ⧇ “āĻļāĻžāĻŽāĻŋ” āĻāϏ⧇āϛ⧇ āϏāĻŋāϰāĻŋ⧟āĻžāϰ āĻĒā§āϰāĻžāĻšā§€āύ āύāĻžāĻŽ “āĻļāĻžāĻŽ” āĻĨ⧇āϕ⧇ – āϝāĻž āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āĻ‰ā§ŽāĻĒāĻ¤ā§āϤāĻŋ āύāĻŋāĻ°ā§āĻĻ⧇āĻļ āĻ•āϰ⧇.āϤāĻžāĻĻ⧇āϰ āĻŽāϤ⧇ āĻŽā§āϘāϞāĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻŽāĻ§ā§āϝāĻĒā§āϰāĻžāĻšā§āϝ⧇āϰ āĻ…āύ⧇āĻ• āϰāĻžāĻ¨ā§āύāĻžāĻ“ āĻ­āĻžāϰāϤāĻŦāĻ°ā§āώ⧇ āĻāĻ­āĻžāĻŦ⧇ āĻĒāĻĻāĻžāĻ°ā§āĻĒāύ āϘāĻŸā§‡.

#āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ āφāϰ āϟāĻŋāĻ•āĻŋ⧟āĻž āĻ•āĻžāĻŦāĻžāĻŦ āĻāĻ• āĻ•āĻŋāύāĻž? āĻ…āύ⧇āϕ⧇ āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āĻ­āĻŋāϤāϰ āĻŦ⧇āϰ⧇āĻ¸ā§āϤāĻž,āĻ•āĻŋāĻļā§āĻŽāĻŋāĻļ āĻāϰ āĻĒ⧁āϰ āĻ­āϰ⧇ āĻŦāϞ⧇ āϟāĻŋāĻ•āĻŋ⧟āĻž, āĻ…āύ⧇āϕ⧇ āĻĒ⧁āϰ āĻ­āϰāĻž āϟāĻžāϕ⧇ āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ āĻŦāϞ⧇.āφāϏāϞ⧇ āĻāϧāϰāύ⧇āϰ āϕ⧋āύ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āύ⧇āχ. āϝāĻžāĻšāĻž āϞāĻžāω,āϤāĻžāĻšāĻžāχ āĻ•āĻĻ⧁.āφāϏāϞ⧇ āϟāĻŋāĻ•āĻŋ⧟āĻž āĻ•āĻžāĻŦāĻžāĻŦ āĻŦāϞāϤ⧇ āϏāĻŦ āϧāϰāύ⧇āϰ āĻ—ā§‹āϞ āĻļ⧇āχāĻĒ⧇āϰ āĻ•āĻžāĻŦāĻžāĻŦāϕ⧇ āĻŦ⧁āĻāĻžā§Ÿ.

#āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ⧇ āĻŽāĻžāĻ‚āϏ⧇āϰ āϏāĻžāĻĨ⧇ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ āϚāĻžāύāĻž āĻŦāĻž āĻŦ⧁āĻŸā§‡āϰ āĻĄāĻžāϞ. āĻāĻ–āύ āĻ…āύ⧇āϕ⧇ āĻāϰ āĻ…āύ⧁āĻĒāĻžāϤ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ•āύāĻĢāĻŋāωāϏāĻĄ. āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāϞāĻ›āĻŋ,
āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ⧇ āĻŽāĻžāĻ‚āϏ āφāϰ āĻĄāĻžāϞ⧇āϰ āĻĒāϰāĻŋāĻŽāĻžāύ āϏāĻŦ āϏāĻŽā§Ÿ ā§Ģ:ā§§.āĻŽāĻžāύ⧇ āĻŽāĻžāĻ‚āϏ⧇āϰ ā§§/ā§Ģ āĻĄāĻžāϞ āύāĻŋāϤ⧇ āĻšā§Ÿ.
āĻŽāĻžāĻ‚āϏ ā§§ āϕ⧇āϜāĻŋ āĻšāϞ⧇ āĻĄāĻžāϞ ⧍ā§Ļā§Ļ āĻ—ā§āϰāĻžāĻŽ. āĻŽāĻžāĻ‚āϏ ā§Ģā§Ļā§Ļ āĻ—ā§āϰāĻžāĻŽ āĻšāϞ⧇ āĻĄāĻžāϞ ā§§ā§Ļā§Ļ āĻ—ā§āϰāĻžāĻŽ,āĻŽāĻžāĻ‚āϏ ⧍ā§Ģā§Ļ āĻ—ā§āϰāĻžāĻŽ āĻšāϞ⧇ āĻĄāĻžāϞ ā§Ģā§Ļ āĻ—ā§āϰāĻžāĻŽ.
āĻāĻ–āύ āĻ…āύ⧇āϕ⧇ āĻĄāĻžāϞ āĻ—ā§āϰāĻžāĻŽā§‡ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āύāĻŋāĻŦ⧇ āĻŦ⧁āĻāϤ⧇ āĻĒāĻžāϰ⧇āύ āύāĻž. āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāϞāϏāĻŋ,
ā§Ģā§Ļ āĻ—ā§āϰāĻžāĻŽ āĻ•āĻžāϚāĻž āϚāĻžāύāĻž āĻĄāĻžāϞ=ā§§/ā§Ē āĻ•āĻžāĻĒ (āĻŽā§‡āϜāĻžāϰāĻŋāĻ‚ āĻ•āĻžāĻĒ⧇āϰ)
ā§§ā§Ļā§Ļ āĻ—ā§āϰāĻžāĻŽ āĻ•āĻžāϚāĻž āϚāĻžāύāĻž āĻĄāĻžāϞ =ā§§/⧍ āĻ•āĻžāĻĒ
⧍ā§Ļā§Ļ āĻ—ā§āϰāĻžāĻŽ āĻ•āĻžāϚāĻž āϚāĻžāύāĻž āĻĄāĻžāϞ= ā§§ āĻ•āĻžāĻĒ

#āĻŽāĻžāĻ‚āϏ āύāĻŋāĻŦ⧇āύ āύāĻž āĻ•āĻŋāĻŽāĻž? āϏāϞāĻŋāĻĄ āĻŽāĻžāĻ‚āϏ⧇āϰ āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ āĻ•āĻŋāĻŽāĻžāϰ āĻĨ⧇āϕ⧇ āĻ…āύ⧇āĻ• āĻŽāϜāĻž āĻšā§Ÿ. āĻ•āĻŋāĻŽāĻž āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āϝāĻžā§Ÿ,āĻ•āĻŋāĻ¨ā§āϤ⧁ āϚāĻ°ā§āĻŦāĻŋāĻŦāĻŋāĻšā§€āύ āĻŽāĻžāĻ‚āϏ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰāχ āĻļā§āĻ°ā§‡ā§Ÿ.

# āĻ…āύ⧇āĻ• āϰ⧇āϏāĻŋāĻĒāĻŋāϤ⧇ āĻĄāĻžāϞ ,āĻŽāĻžāĻ‚āϏ āĻāĻ•āϏāĻžāĻĨ⧇ āϏāĻŋāĻĻā§āϧ āĻ•āϰāϤ⧇ āĻŦāϞ⧇. āĻāϤ⧇ āĻ…āύ⧇āĻ• āϏāĻŽā§Ÿ āĻĄāĻžāϞ āĻ—āϞ⧇ āĻ­āϰāϤāĻž āĻšā§Ÿā§‡ āϝāĻžā§Ÿ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŽāĻžāĻ‚āϏ āϏāĻŋāĻĻā§āϧ āĻšā§Ÿ āύāĻž. āĻšāĻžā§œāĻŋāϤ⧇ āĻĄāĻžāϞ āĻāϕ⧇āĻŦāĻžāϰ⧇ āĻāĻŽāύ āĻ­āĻžāĻŦ⧇ āĻĒā§‹ā§œāĻž āϞāĻžāϗ⧇,āϝ⧇ āϏ⧇āχ āĻšāĻžā§œāĻŋ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāϤ⧇ āϜāĻžāύ āĻŦā§‡ā§œ āĻšā§Ÿā§‡ āϝāĻžā§Ÿ. āĻĒā§‹ā§œāĻž āϞāĻžāϗ⧇ āĻ•āĻžāϰāύ āĻŽāĻžāĻ‚āϏ āφāϰ āĻĄāĻžāϞ āĻāĻ•āĻĻāĻŽ āĻļ⧁āĻ•āύāĻž āĻ•āϰ⧇ āĻĢ⧇āϞāϤ⧇ āĻšā§Ÿ. āĻ­āĻŋāϜāĻž āĻ­āĻŋāϜāĻž āĻĨāĻžāĻ•āĻž āĻŽāĻžāύ⧇āχ āĻĒāĻžāύāĻŋ āĻĨāĻžāĻ•āĻž ,āϝāĻžāϰ āϜāĻ¨ā§āϝ āĻ…āύ⧇āĻ• āϏāĻŽā§Ÿ āĻ•āĻžāĻŦāĻžāĻŦ āϤ⧇āϞ⧇ āĻĻā§‡ā§ŸāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āϖ⧁āϞ⧇ āϝāĻžā§Ÿ. āĻŽāĻžāĻ‚āϏ āφāϰ āĻĄāĻžāϞ āĻāχ āϜāĻ¨ā§āϝ āĻļ⧁āĻ•āύāĻž āĻ•āϰ⧇ āĻĒāĻžāύāĻŋ āϟāĻžāύāĻŋā§Ÿā§‡ āĻĢ⧇āϞāϤ⧇ āĻšāĻŦ⧇.
āφāĻŽāĻŋ āϝ⧇āϟāĻž āĻ•āϰāĻŋ,āĻŽāĻžāĻ‚āϏ āĻŽā§‹āϟāĻžāĻŽā§āϟāĻŋ āϏāĻŋāĻĻā§āϧ āĻšā§Ÿā§‡ āφāϏāϞ⧇ āĻĒāĻžāύāĻŋ āĻ•āĻŽā§‡ āφāϏāϞ⧇ āĻĄāĻžāϞ āϟāĻž āĻĻ⧇āχ. āĻĄāĻžāϞ āφāϗ⧇ āĻĨ⧇āϕ⧇ āĻ­āĻŋāϜāĻžāύ⧋ āĻĨāĻžāĻ•āϞ⧇ āϏāĻŋāĻĻā§āϧ āĻšāϤ⧇ āϏāĻŽā§Ÿ āϞāĻžāϗ⧇ āύāĻž. āϤāĻžāχ āĻĻāϰāĻ•āĻžāϰ āĻĒ⧜āϞ⧇ āĻĒāϰ⧇ āĻ—āϰāĻŽ āĻĒāĻžāύāĻŋ āĻ•āĻŋāϛ⧁ āϝ⧋āĻ— āĻ•āϰāĻž āϝāĻžā§Ÿ,āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāϗ⧇āχ āĻāĻ• āĻ—āĻžāĻĻāĻž āĻĒāĻžāύāĻŋ āĻĻāĻŋā§Ÿā§‡ āϏāĻŋāĻĻā§āϧ āĻ•āϰāĻžāϰ āϕ⧋āύ āĻĻāϰāĻ•āĻžāϰ āύāĻžāχ.

# āϤ⧇āϞ⧇ āĻĻā§‡ā§ŸāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āϖ⧁āϞ⧇ āϝāĻžā§Ÿ āϕ⧇āύ? āĻ…āύ⧇āĻ• āϗ⧁āϞ⧋ āĻ•āĻžāϰāύ āĻšāϤ⧇ āĻĒāĻžāϰ⧇;

* āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āĻŽāĻŋāĻ¸ā§āϰāύ⧇ āĻĒāĻžāύāĻŋ āĻŦāĻž āφāĻĻā§āϰāϰāϤāĻžāϰ āĻĒāϰāĻŋāĻŽāĻžāύ āĻŦ⧇āĻļāĻŋ āĻĨāĻžāĻ•āϞ⧇. āĻŽāĻžāĻ‚āϏ āφāϰ āĻĄāĻžāϞ āϏāĻŋāĻĻā§āϧ āĻ•āϰāĻžāϰ āϏāĻŽā§Ÿ āĻāĻ•āĻĻāĻŽ āĻļ⧁āĻ•āĻŋā§Ÿā§‡ āĻāϰāĻāϰ⧇ āĻ•āϰ⧇ āĻĢ⧇āϞāϤ⧇ āĻšāĻŦ⧇. āϤāĻžāϰāĻĒāϰ āĻŦ⧇āĻŸā§‡ āĻŦāĻž āĻŦā§āϞ⧇āĻ¨ā§āĻĄ āĻ•āϰ⧇ āύāĻŋāϤ⧇ āĻšāĻŦ⧇. āĻŦā§āϞ⧇āĻ¨ā§āĻĄ āĻ•āϰāĻžāϰ āϏāĻŽā§Ÿ āĻ…āĻ˛ā§āĻĒ āĻ…āĻ˛ā§āĻĒ āĻļ⧁āĻ•āύ⧋ āĻ­āĻžāĻŦ⧇ āĻŦā§āϞ⧇āĻ¨ā§āĻĄ āĻ•āϰāĻŦ⧇āύ.āĻĒāĻžāύāĻŋ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻŦ⧇āύ āύāĻž. āĻ­āĻžāϞ āĻ•ā§‹ā§ŸāĻžāϞāĻŋāϟāĻŋāϰ āϚāĻĒāĻžāϰ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāϞ⧇ āϖ⧁āĻŦ āϏāĻšāĻœā§‡āχ āĻĒāĻžāύāĻŋ āĻ›āĻžā§œāĻž āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ. āϤāĻžāϰāĻĒāϰāĻ“ āĻĻāϰāĻ•āĻžāϰ āĻšāϞ⧇ āĻĄāĻŋāĻŽ āφāϗ⧇āχ āĻŦā§āϞ⧇āĻ¨ā§āĻĄ āĻ•āϰāĻžāϰ āϏāĻŽā§Ÿ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻŦ⧇āύ. āĻāĻ•āϟāĻž āĻāĻ•āϟāĻž āĻ•āϰ⧇ āĻĻ⧇āĻ–āĻŦ⧇āύ.
*āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āĻŽāĻŋāĻ¸ā§āϰāύ āϖ⧁āĻŦ āĻĄā§āϰāĻžāχ āĻšāϞ⧇. āϖ⧁āĻŦ āĻŦ⧇āĻļāĻŋ āĻĄā§āϰāĻžāχ āĻšāϞ⧇āĻ“ āĻ•āĻžāĻŦāĻžāĻŦ āϖ⧁āϞ⧇ āϖ⧁āϞ⧇ āϝāĻžāĻŦ⧇. āĻĄā§āϰāĻžāχ āĻŽāύ⧇ āĻšāϞ⧇ āĻāĻ•āϟāĻž āĻĄāĻŋāĻŽ āĻĢ⧇āĻŸā§‡ āĻĻāĻŋā§Ÿā§‡ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāϰ⧇āύ,āĻ…āĻ¨ā§āϝ āĻ•āĻŋāϛ⧁ āύ⧟.
* āĻĒāĻ°ā§āϝāĻžāĻĒā§āϤ āĻŦāĻžāχāĻ¨ā§āĻĄāĻŋāĻ‚ āĻāϰ āĻ…āĻ­āĻžāĻŦ⧇. āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ⧇ āĻŦāĻžāχāĻ¨ā§āĻĄāĻŋāĻ‚ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ āĻĢ⧇āϟāĻžāύ⧋ āĻĄāĻŋāĻŽ. ā§§ āϕ⧇āϜāĻŋ āĻŽāĻžāĻ‚āϏ⧇āϰ āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ⧇ ⧍-ā§Š āϟāĻž āĻĄāĻŋāĻŽ āϞāĻžāϗ⧇. āĻāϰ āĻŦ⧇āĻļāĻŋ āύāĻž. āĻ•āĻŽ āĻ“ āύāĻž. āϤāĻŦ⧇ āĻĄāĻŋāĻŽ āĻāϰ āϏāĻžāχāĻœā§‡āϰ āωāĻĒāϰ⧇āĻ“ āĻĄāĻŋāĻĒ⧇āĻ¨ā§āĻĄ āĻ•āϰāĻŦ⧇. āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āĻŽāĻŋāĻ¸ā§āϰāύ āϖ⧁āĻŦ āĻĄā§āϰāĻžāχ āĻŽāύ⧇ āĻšāϞ⧇ āĻāϰ āĻŦ⧇āĻļāĻŋ āĻĄāĻŋāĻŽ āϞāĻžāĻ—āϞ⧇āĻ“ āϞāĻžāĻ—āϤ⧇ āĻĒāĻžāϰ⧇ .
* āĻĒāĻŋ⧟āĻžāϜ,āĻ•āĻžāϚāĻžāĻŽāϰāĻŋāϚ āĻŽā§‹āϟāĻž āĻŽā§‹āϟāĻž āĻ•āϰ⧇ āϕ⧇āĻŸā§‡ āĻŽāĻŋāĻ¸ā§āϰāύ⧇ āĻŽāĻžāĻ–āĻžāϞ⧇, āϕ⧋āύāĻž āϖ⧁āϞ⧇ āϖ⧁āϞ⧇ āĻ•āĻžāĻŦāĻžāĻŦ āϭ⧇āς⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇. āϖ⧁āĻŦ āĻŽāĻŋāĻšāĻŋ āĻ•āϰ⧇ āĻĒāĻŋ⧟āĻžāϜ āφāϰ āĻ•āĻžāϚāĻžāĻŽāϰāĻŋāϚ āĻ•āĻžāϟāĻŦ⧇āύ,āϝāĻžāϤ⧇ āĻļ⧇āχāĻĒ āĻ•āϰāĻžāϰ āϏāĻŽā§Ÿ āϕ⧋āύāĻž āĻŦ⧇āϰ āύāĻž āĻšā§Ÿā§‡ āϝāĻžā§Ÿ.
* āĻļ⧇āχāĻĒ āĻ•āϰāĻžāϰ āϏāĻŽā§Ÿ āϕ⧋āύāĻž āϝāĻĻāĻŋ āĻ­āĻžāĻ‚āĻž āĻĨāĻžāϕ⧇,āϤāĻžāĻšāϞ⧇āĻ“ āϖ⧁āϞ⧇ āϝāĻžāĻŦ⧇. āϏāĻŽā§Ÿ āύāĻŋā§Ÿā§‡ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ—ā§‹āϞ āĻ•āϰ⧇ āĻļ⧇āχāĻĒ āĻ•āϰ⧁āύ āφāϰ āφāς⧁āϞ āĻĻāĻŋā§Ÿā§‡ āϚāĻžāϰāĻĒāĻžāĻļ āĻ¸ā§āĻŽā§āĻĻ āĻ•āϰ⧇ āĻĻāĻŋāύ.
* āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āϤ⧇āϞ āϝāĻĻāĻŋ āϝāĻĨ⧇āĻˇā§āϟ āĻ—āϰāĻŽ āύāĻž āĻĨāĻžāϕ⧇ āϤāĻŦ⧇āĻ“ āĻ•āĻžāĻŦāĻžāĻŦ āϖ⧁āϞ⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇.
*āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āĻāĻ• āĻĒāĻŋāĻ  āϞāĻžāϞ āĻšāϤ⧇ āύāĻž āĻšāϤ⧇āχ āĻ¨ā§‡ā§œā§‡ āωāĻ˛ā§āĻŸā§‡ āĻĻāĻŋāϤ⧇ āϗ⧇āϞ⧇āĻ“ āϭ⧇āς⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇. āĻāĻ•āϏāĻžāĻĨ⧇ āĻāĻ• āĻ—āĻžāĻĻāĻž āĻ•āĻžāĻŦāĻžāĻŦ āϤ⧇āϞ⧇ āĻĻāĻŋāϞ⧇āĻ“ āϏāĻŽāĻ¸ā§āϝāĻž āĻšāϤ⧇ āĻĒāĻžāϰ⧇.
āϤāĻžāχ āĻāĻ•āϏāĻžāĻĨ⧇ āĻāĻ• āĻ—āĻžāĻĻāĻž āĻ•āĻžāĻŦāĻžāĻŦ āĻĻāĻŋāĻŦ⧇āύ āύāĻž. āĻāĻ• āĻĒāĻŋāĻ  āĻšāϤ⧇ āύāĻž āĻšāϤ⧇āχ āφāϰ⧇āĻ• āĻĒāĻŋāĻ  āωāĻ˛ā§āϟāĻžāϤ⧇ āϝāĻžāĻŦ⧇āύ āύāĻž.

āĻāϰāĻĒāϰāĻ“ āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āĻĒā§āϰāĻĨāĻŽā§‡ ⧍-ā§Š āϟāĻž āĻĻāĻŋā§Ÿā§‡ āĻĻ⧇āϖ⧁āύ. āϝāĻĻāĻŋ āϤāĻžāϰāĻĒāϰāĻ“ āύāϰāĻŽ āϞāĻžāϗ⧇ āϤāĻŦ⧇ āĻŽāĻŋāĻ¸ā§āϰāύ⧇ āĻ…āĻ˛ā§āĻĒ āĻŦ⧇āϏāύ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰ⧁āύ. āĻŦ⧇āϏāύ,āĻāĻ•āϟ⧁ āĻļ⧁āĻ•āύ⧋ āĻŸā§‡āϞ⧇ āύāĻŋāϞ⧇ āĻ­āĻžāϞ. āĻāĻ• āĻ—āĻžāĻĻāĻž āĻŦ⧇āϏāύ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻŦ⧇āύ āύāĻž , āϤāĻžāĻšāϞ⧇ āĻ•āĻžāĻŦāĻžāĻŦ āϖ⧁āĻŦ āϟāĻžāχāϟ āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇.

# āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϏāĻ‚āϰāĻ•ā§āώāύ āĻ•āϰāĻŦ⧇āύ?
āĻ•āĻžāĻŦāĻžāĻŦ āĻļ⧇āχāĻĒ āĻ•āϰ⧇ āĻ›ā§œāĻžāύ⧋ āĻŽā§‡āϟāĻžāϞ āĻĒā§āϞ⧇āχāĻŸā§‡ āĻŦāĻŋāĻ›āĻŋā§Ÿā§‡ āĻ•ā§Ÿā§‡āĻ• āϘāĻ¨ā§āϟāĻž āĻĄāĻŋāĻĒ āĻĢā§āϰāĻŋāĻœā§‡ āϰāĻžāϖ⧁āύ. āĻāϰāĻĒāϰ āϖ⧁āϞ⧇ āύāĻŋā§Ÿā§‡ āϜāĻŋāĻĒāϞāĻ• āĻŦā§āϝāĻžāϗ⧇ āϰ⧇āϖ⧇ āĻĻāĻŋāύ. āϝāĻ–āύ āĻĻāϰāĻ•āĻžāϰ āĻĒ⧜āĻŦ⧇ āϭ⧇āĻœā§‡ āύāĻŋāĻŦ⧇āύ.
āĻ…āĻĨāĻŦāĻž āĻ•āĻ¨ā§āĻŸā§‡āχāύāĻžāϰ āĻĒā§āϞāĻžāĻ¸ā§āϟāĻŋāĻ• āĻŦāĻ•ā§āϏ⧇ āĻāĻ•āϟāĻžāϰ āĻĒāϰ āφāϰ⧇āĻ•āϟāĻž āĻŦāĻŋāĻ›āĻŋā§Ÿā§‡ āϰāĻžāĻ–āϤ⧇ āĻĒāĻžāϰ⧇āύ. āĻ•āĻ–āύ āĻāĻ• āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āωāĻĒāϰ āφāϰ⧇āĻ• āĻ•āĻžāĻŦāĻžāĻŦ āϰāĻžāĻ–āĻŦ⧇āύ āύāĻž. āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āĻŦ⧇āϰ āĻ•āϰāĻžāϰ āϏāĻŽā§Ÿ āϖ⧁āϞ⧇ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇. āϝāĻĻāĻŋ āϰāĻžāĻ–āϤ⧇ āϚāĻžāύ,āĻāĻ• āĻ˛ā§‡ā§ŸāĻžāϰ āĻ•āĻžāĻŦāĻžāĻŦ⧇āϰ āωāĻĒāϰ⧇ āĻ•ā§āϞāĻŋāĻ‚āĻĢāĻŋāĻ˛ā§āĻŽ /āĻĒā§āϞāĻžāĻ¸ā§āϟāĻŋāĻ• āĻ°â€ā§āϝāĻžāĻĒ āĻŦāĻž āĻāϞ⧁āĻŽāĻŋāύāĻŋ⧟āĻžāĻŽ āĻĢā§Ÿā§‡āϞ āĻŦāĻŋāĻ›āĻŋā§Ÿā§‡ āϤāĻžāϰāĻĒāϰ āϰāĻžāϖ⧁āύ.
āĻĢā§āϰāϝ⧇āύ āĻ•āĻžāĻŦāĻžāĻŦ āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āϤ⧇āϞ āϝāĻĨ⧇āĻˇā§āϟ āĻ—āϰāĻŽ āĻšāĻŦ⧇ āĻ āĻŋāĻ•āχ,āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻāϰāĻĒāϰ āϜāĻžāϞ āĻ•āĻŽāĻŋā§Ÿā§‡ āĻ…āĻ˛ā§āĻĒ āφāĻšā§‡ āĻāĻ•āϟ⧁ āĻŦ⧇āĻļāĻŋ āϏāĻŽā§Ÿ āϧāϰ⧇ āĻ­āĻžāϜ⧁āύ,āύāχāϞ⧇ āĻ­āĻŋāϤāϰ⧇ āĻŦāϰāĻĢ āĻĨ⧇āϕ⧇ āϝāĻžāĻŦ⧇.
āĻĢā§āϰ⧋āϝ⧇āύ āĻ•āĻžāĻŦāĻžāĻŦ,āĻ•āĻ–āύ⧋āχ āĻŦ⧇āϰ āĻ•āϰ⧇ āϰ⧁āĻŽ āĻŸā§‡āĻŽā§āĻĒ⧇āϰ⧇āϚāĻžāϰ⧇ āĻāύ⧇ āĻ­āĻžāϜāĻžāϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰāĻŦ⧇āύ āύāĻž. āĻāϤ⧇ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŦāϰāĻĢ āĻĒāĻžāύāĻŋ āĻšā§Ÿā§‡ āĻ•āĻžāĻŦāĻžāĻŦ āϕ⧇ āύāϰāĻŽ āĻ•āϰ⧇ āĻĻāĻŋāĻŦ⧇,āϤ⧇āϞ⧇ āĻĻā§‡ā§ŸāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āϖ⧁āϞ⧇ āϝāĻžāĻŦ⧇.
āĻ…āύ⧇āĻ• āϏāĻŽā§Ÿ āĻĢā§āϰ⧋āϝ⧇āύ āĻ•āĻžāĻŦāĻžāĻŦ āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āϖ⧁āϞ⧇ āϖ⧁āϞ⧇ āϝāĻžā§Ÿ. āĻāϜāĻ¨ā§āϝ āĻĒā§āϰāĻĨāĻŽā§‡ ā§§/⧍ āϟāĻž āϤ⧇āϞ⧇ āĻĻāĻŋā§Ÿā§‡ āĻĒāϰ⧀āĻ•ā§āώāĻž āĻ•āϰ⧇,āĻŦāĻžāĻ•āĻŋ āϗ⧁āϞ⧋ āĻ­āĻžāϜāϞ⧇ āĻ­āĻžāϞ.
āϝāĻĻāĻŋ āϖ⧁āϞ⧇ āϝāĻžā§Ÿ. āϤāĻŦ⧇ āĻĢā§āϰ⧋āϝ⧇āύ āĻ•āĻžāĻŦāĻžāĻŦ āĻ­āĻžāϜāĻžāϰ āϏāĻŽā§Ÿ āĻĄāĻŋāĻŽā§‡āϰ āϏāĻžāĻĻāĻž āĻ…āĻ‚āĻļ āĻĢ⧇āĻŸā§‡ ,āϤāĻžāϤ⧇ āĻĄā§āĻŦāĻŋā§Ÿā§‡ āĻ­āĻžāϜāϞ⧇ āφāϰ āĻ­āĻžāĻ‚āĻŦ⧇ āύāĻž.

āĻļāĻžāĻŽāĻŋ āĻ•āĻžāĻŦāĻžāĻŦ:
āωāĻĒāĻ•āϰāĻŖ :
ā§§āĻŽ āĻĒāĻ°ā§āĻŦ (āĻŽāĻžāĻ‚āϏ āϏāĻŋāĻĻā§āϧ āĻ•āϰāĻžāϰ āωāĻĒāĻ•āϰāĻŖ ):
ā§§ āϕ⧇āϜāĻŋ āϏāϞāĻŋāĻĄ ,āϚāĻ°ā§āĻŦāĻŋ āĻ›āĻžā§œāĻž āĻ—āϰ⧁āϰ āĻŽāĻžāĻ‚āϏ ( āϰāĻžāύ⧇āϰ āĻŽāĻžāĻ‚āϏ āĻšāϞ⧇ āĻ­āĻžāϞ)
ā§§ āĻ•āĻžāĻĒ āϚāĻžāύāĻž/āĻŦ⧁āĻŸā§‡āϰ āĻĄāĻžāϞ ( āĻ•āĻŽāĻĒāĻ•ā§āώ⧇ ā§Ē/ā§Ģ āϘāĻ¨ā§āϟāĻž āφāϗ⧇ āĻĨ⧇āϕ⧇ āĻĒāĻžāύāĻŋāϤ⧇ āĻ­āĻŋāϜāĻžāύ⧋ )
ā§§ āϟāĻž āĻŽāĻžāĻāĻžāϰāĻŋ āĻĒāĻŋ⧟āĻžāϜ āĻŽā§‹āϟāĻž āĻ•āϰ⧇ āĻ•āĻžāϟāĻž (āφāϧāĻž āĻ•āĻžāĻĒ āĻĒāϰāĻŋāĻŽāĻžāύ)
ā§Ģ-ā§Ŧ āĻ•ā§‹ā§ŸāĻž āϰāϏ⧁āύ
āĻ†ā§œāĻžāχ āχāĻžā§āϚāĻŋ āϞāĻŽā§āĻŦāĻž āφāĻĻāĻžāϰ āϟ⧁āĻ•āϰāĻž, āĻŽā§‹āϟāĻž āĻŽā§‹āϟāĻž āĻ•āϰ⧇ āĻ•āĻžāϟāĻž ( āĻĻā§‡ā§œ āĻŸā§‡āĻŦāĻŋāϞ āϚāĻžāĻŽāϚ āĻĒāϰāĻŋāĻŽāĻžāύ )
ā§Ŧ-ā§­ āϟāĻž āϏāĻŦ⧁āϜ /āϛ⧋āϟ āĻāϞāĻžāϚ
⧍ āϟāĻž āĻŦ⧜ āĻāϞāĻžāϚ
⧍ āϟ⧁āĻ•āϰāĻž āϛ⧋āϟ āĻĻāĻžāϰāϚāĻŋāύāĻŋ āĻ¸ā§āϟāĻŋāĻ•
⧍ āϟāĻž āϤ⧇āϜāĻĒāĻžāϤāĻž
ā§§ āϚāĻž āϚāĻžāĻŽāϚ āϞāĻ‚
ā§§ āϚāĻž āϚāĻžāĻŽāϚ āĻ—ā§‹āϞ āĻŽāϰāĻŋāϚ
ā§Ģ/ā§Ŧ āϟāĻž āϞāĻžāϞ āĻļ⧁āĻ•āύāĻž āĻŽāϰāĻŋāϚ
āϞāĻŦāύ
⧍⧟ āĻĒāĻ°ā§āĻŦ :
ā§Š āĻŸā§‡āĻŦāĻŋāϞ āϚāĻžāĻŽāϚ āĻŦ⧇āϰ⧇āĻ¸ā§āϤāĻž
⧍ āĻŸā§‡āĻŦāĻŋāϞ āϚāĻžāĻŽāϚ āĻŽāĻŋāĻšāĻŋ āϕ⧁āϚāĻŋ āĻĒāĻŋ⧟āĻžāϜ
ā§§/⧍ āĻŸā§‡āĻŦāĻŋāϞ āϚāĻžāĻŽāϚ āĻŽāĻŋāĻšāĻŋ āĻ•āϰ⧇ āĻ•āĻžāϟāĻž āĻ•āĻžāϚāĻž āĻŽāϰāĻŋāϚ
⧍ āϚāĻž āϚāĻžāĻŽāϚ āĻŽāĻŋāĻšāĻŋ āĻ•āϰ⧇ āĻ•āĻžāϟāĻž āφāĻĻāĻž āϕ⧁āϚāĻŋ
ā§§ āĻŸā§‡āĻŦāĻŋāϞ āϚāĻžāĻŽāϚ āĻĒ⧁āĻĻāĻŋāύāĻž āϕ⧁āϚāĻŋ
⧍ āϟāĻž āĻŦāĻž ā§Š āϟāĻž āĻĢ⧇āϟāĻžāύ⧋ āĻĄāĻŋāĻŽ
ā§§/⧍ āĻŸā§‡āĻŦāĻŋāϞ āϚāĻžāĻŽāϚ āĻ¸ā§āĻĒ⧇āĻļāĻžāϞ āĻ—āϰāĻŽ āĻŽāĻļāϞāĻž
āĻāϞāĻžāϚ,āϜ⧟āĻŋāĻ¤ā§āϰāĻŋ, āϜāĻžāχāĻĢāϞ, āĻĻāĻžāϰāϚāĻŋāύāĻŋ,āĻŽā§ŒāϰāĻŋ ,āϜāĻŋāϰāĻž, āĻļāĻž āϜāĻŋāϰāĻž ,āϧāύāĻŋ⧟āĻž āĻāĻ•āϏāĻžāĻĨ⧇ āĻ—ā§ā§œā§‹ āĻ•āϰ⧇ āύāĻŋāϤ⧇ āĻšāĻŦ⧇. āϜāĻŋāϰāĻž āφāϰ āϜ⧟āĻŋāĻ¤ā§āϰāĻŋ āĻāĻ•āϟ⧁ āĻŸā§‡āϞ⧇ āύāĻŋāϤ⧇ āĻšāĻŦ⧇,āĻŦāĻžāĻ•āĻŋ āĻŽāĻļāϞāĻž āϟāĻžāϞāϤ⧇ āĻšāĻŦ⧇ āύāĻž.

āĻĒā§āϰāύāĻžāϞ⧀ :
ā§§. āĻĄāĻžāϞ āφāϗ⧇ āĻĨ⧇āϕ⧇ āĻ­āĻŋāϜāĻŋā§Ÿā§‡ āϰāĻžāϖ⧁āύ. āĻŽāĻžāĻ‚āϏ āϛ⧋āϟ āϛ⧋āϟ, āĻĒāĻžāϤāϞāĻž āĻ•āϰ⧇ āϕ⧇āĻŸā§‡ āĻĄāĻžāϞ āĻŦāĻžāĻĻ⧇ āϏāĻŦ āωāĻĒāĻ•āϰāύ āĻĻāĻŋā§Ÿā§‡ āϏāĻŋāĻĻā§āϧ āĻĻāĻŋāύ. āĻŽāĻžāĻ‚āϏ āϏāĻŋāĻĻā§āϧ āĻšā§Ÿā§‡ āϗ⧇āϞ⧇ āĻĄāĻžāϞ āĻĻāĻŋāύ. āĻŽāĻžāĻ‚āϏ⧇āϰ āĻĒāĻžāύāĻŋ āĻāĻŽāύ āĻĨāĻžāĻ•āĻŦ⧇ āϝ⧇ āĻĄāĻžāϞ āϏāĻŋāĻĻā§āϧ āĻšāĻŦ⧇,āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻ—āϞ⧇ āϝāĻžāĻŦ⧇ āύāĻž. āĻĻāϰāĻ•āĻžāϰ āĻšāϞ⧇ āĻĒāϰ⧇ āĻĒāĻžāύāĻŋ āϝ⧋āĻ— āĻ•āϰāĻž āϝāĻžā§Ÿ,āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāϗ⧇āχ āĻāĻ• āĻ—āĻžāĻĻāĻž āĻĒāĻžāύāĻŋ āĻĻāĻŋāĻŦ⧇āύ āύāĻž.
⧍. āĻĒāĻžāύāĻŋ āĻļ⧁āĻ•āĻŋā§Ÿā§‡ āĻāϰāĻāϰ⧇ āĻšāϞ⧇ āĻĒāĻžāύāĻŋ āĻ›āĻžā§œāĻž āφāĻ¸ā§āϤ āĻ—āϰāĻŽ āĻŽāĻļāϞāĻž āϗ⧁āϞ⧋ āϏāĻš āĻŦ⧇āĻŸā§‡ āĻŦāĻž āĻŦā§āϞ⧇āĻ¨ā§āĻĄ āĻ•āϰ⧇ āύāĻŋāύ. āĻāχ āĻŽāĻļāϞāĻž āϗ⧁āϞ⧋ āϏāĻŋāĻĻā§āϧ āĻšāĻ“ā§ŸāĻžāϰ āĻĒāϰ āĻĢ⧇āϞ⧇ āĻĻāĻŋāĻŦ⧇āύ āύāĻž.
ā§Š.āĻāĻ–āύ ⧍⧟ āĻĒāĻ°ā§āĻŦ⧇āϰ āϏāĻŦ āωāĻĒāĻ•āϰāύ āĻŽāĻŋāĻļāĻŋā§Ÿā§‡ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ•āϰ⧇ āĻ—ā§‹āϞ āĻ•āϰ⧇ āĻļ⧇āχāĻĒ āĻ•āϰ⧁āύ. āϞāĻŦāύ āϞāĻžāĻ—āϞ⧇ āϝ⧋āĻ— āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ.
āĻ­āĻžāϜāĻžāϰ āφāϗ⧇ āĻ•āĻŽāĻĒāĻ•ā§āώ⧇ ā§§ āϘāĻ¨ā§āϟāĻž āĻĢā§āϰāĻŋāĻœā§‡āϰ āύāϰāĻŽāĻžāϞ āĻšā§‡āĻŽā§āĻŦāĻžāϰ⧇ āϰ⧇āϖ⧇ āĻ­āĻžāϜāϞ⧇ āĻ­āĻžāϞ.
āφāχ āĻ›ā§āϝāĻžāĻ•āĻž āϤ⧇āϞ āĻŦāĻž āĻĄā§āĻŦā§‹ āϤ⧇āϞ, āϕ⧋āύāϟāĻžāϤ⧇āχ āĻŦāĻžāĻ•āĻŋ āύāĻž. āĻŦ⧇āĻļ āĻ…āύ⧇āĻ• āĻ–āĻžāύāĻŋ āϤ⧇āϞ⧇ āĻ­āĻžāϜāϤ⧇ āĻšā§Ÿ. āĻĄā§āĻŦā§‹ āϤ⧇āϞ⧇āϰ āĻ•āĻŽ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻ›ā§āϝāĻžāĻ•āĻž āϤ⧇āϞ⧇āϰ āĻĨ⧇āϕ⧇ āĻŦ⧇āĻļ āĻŦ⧇āĻļāĻŋ āϤ⧇āϞ⧇āχ āĻ­āĻžāϜāĻŋ.
āĻāĻ• āĻĒāĻŋāĻ  āύāĻž āĻšāϤ⧇āχ āφāϰ⧇āĻ• āĻĒāĻŋāĻ  āωāĻ˛ā§āϟāĻžāϤ⧇ āϝāĻžāĻŦ⧇āύ āύāĻž.
āĻŽāĻžāĻāĻžāϰāĻŋ āφāĻšā§‡ āϞāĻžāϞ āĻ•āϰ⧇ āĻ­āĻžāϜ⧁āύ.

 

I always wondered , why does this beautiful kabab is named “Shami Kabab” ??? In Bangla Shami means “husband”, 😛 so as a kid I always thought it must have been made by a very good husband for her wife or these kabas are only for the husbands ; :O “lucky me , at least Ammu never discriminates , we all along with Abbu can enjoy it’s charm” Hahahahaha How silly I was !!!

Shami came from the Urdu word “Sham” , which means evening . So this is the kabab made for evening snack with tea !! Though we enjoy it not only in the evening , not only as a tea time snack , but any time without anything , no matter you are hungry or not or as a side with any main dish like polau or biriyani or naan or paratha .

Some says Shami indicates “Sham”- ancient name for Siriya , indicating it’s origin there .Whatever the stories are , this kabab undoudtedly one of my very favorite kababs and most probably the most consumed one in Bangladesh . In every occassion , it’s a must dish made at almost every home of Bangladesh .

Ingredients:

1st part:

 

Beef Keema (Minced Beef): 1 K.G1
Chaana Daal (Chaana Lentil): 1 Cup – Soaked in water for 4 -5 hours or overnight.
1 medium onion, chopped coarsely
Ginger, chopped : 1 and 1/2 tbl spoon
Garlic cloves: 5/6
Bay Leaf: 2 pieces
Green Cardamom: 6-7 Pieces
Black cardamom: 2
Cinnamon: 2 pieces of 1 inches each
 Black pepper : 1 tea spoon
 Cloves: 1 tea spoon 
Dried red chilies:5-6
Salt to taste

 

2nd part:

Onion (Beresta – Onions sliced and deep crispy fried in oil): 3 tbl sppon

onion chopped:  2 tbl spoon

ginger finely shredded :2 tea spoon

Mint: 1 tblsoon
Green Chili: 1/2 tbl spoon
Eggs: 2 beaten

Special masala :1/2 tbl spoon
Oil for frying

Cooking Method:

1. Boil beef keema with Chaana daal  and all the ingredients,mentioned in part 1 until the water completely dries out .

2. When water dries out, blend the keema or minced meat without adding any water with all the whole spices boiled with.

3. Then add the onion,fried onion/bereshta, chopped mint, chopped green chillies, finely shredded ginger, special masala ,eggs and a little salt (if needed), mix well and shape them and shallow fry with good amount of oil at medium low flame.

4. Now serve with Pulao, pilaf, biriyani, khichuri or rice and Naan or Chapati.

Cooking Tips:

1. The Lentil (Chaana Daal) has to be soaked in water overnight or at least for 4-5 hours before the cooking process begins. Otherwise the lentil will not be properly cooked.

2. The kabab will fry better if you refrigerate for 30 minutes or so before you fry them.

Bangladeshi Rustic Style Beef Curry with potatoes

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My whole family is in love with this rustic style beef curry with fiery red , spicy gravy and big potatoes , whole or cut in big cubes . The process of making this kind of curry is very simple . But the flavor is unbelievable !! Onion , ginger , garlic are used in paste form and in a little larger quantity than usual .

Ingredients :

1 kg beef with some fat and bones
3 /4 potatoes , whole or cubed
1 and 1/4 th cup of onion paste
2 and 1/2 tbl spoon ginger paste
1 tbl spoon garlic paste
1 tbl spoon chili powder
1 tea spoon turmeric powder
2 bay leaves
1 cinnamon stick ( 2″ long)
6/7 green cardamoms
8-9 cloves
1 tea spoon black pepper ( whole)
1 tea spoon garammasala powder
1 tea spoon dry roasted cumin powder ( bhaja jeear gura)
Salt to taste
Oil

Procedure:

1. Mix all the ingredients with meat except potatoes , garam masala powder and roasted cumin powder in a pot.

2.Put the pot on the stove and cook on medium-low flame with lid on . The meat will release water too .. Cook the meat adding water little by little , what we call in Bangla “koshano”, at least for 45 minutes .

3. Add water covering the meat . When the meat is half done add the whole potatoes and if cut in halves add little later . Cook with lid on . When the meat is done and the gravy comes to the desired consistency add the garam masala powder and roasted cumin powder . Turn off the stove and keep the pot on the turned off stove until oil separates .

Ready !!!

Colorful Dudh Shemai/ Vermicelli and Steamed Vermicelli/ Shemai Pudding

2014-09-26

I’ve told you before , I have got such a “fertile brain” , full of so many ideas !! 😛 Today’s recipes are nothing but production of that fertile brain .. 😀

I have one box of colorful vermicelli , left unused , bought for making falooda . All on a sudden an idea pop into my mind , why not making our regular “Dudh Shemai” ( Milk vermecilli) a colorful one ??
No sooner I made that , another idea from my very “fertile brain” jumped out !! Why not making a steamed vermicelli / shemai pudding ???
So here you go with the recipes .

006

Colorful Dudh shemai:

2 and 1/4 th cup of milk
1/4 th cup powder milk
1/3 rd cup colorful vermicelli
1/3 rd cup regular shemai
1/3 rd cup – 1/2 cup sugar or according to your taste
2 green cardamoms
1 small stick of cinnamon
Rosewater
Dried nuts and raisin for garnishing

Procedure:

1. Mix 1/4 th cup powder milk into the regular liquid milk and boil with 2 cardamoms and a small stick of cinnamon . Add sugar .

2. Boil the colorful shemai and wash and drain out the water . If you wish you can boil them in the milk , but in that case increase the quantity of milk as it needs more time to get done .

3. Dry roast or roast the regular vermicelli with little oil . Don’t burn it out .

4. Now mix both the shemai with milk and cook for 2/3 minutes or so or until the regular shemai is cooked. Sprinkle some rose water.

5. Take out the garam masala from the shemai . Pour in a serving dish and when little cooled down garnish with dried nuts and raisins .

001

Steamed Vermicelli/ Shemai Pudding:

Follow the same procedure mentioned for colorful dudh shemai , but either increase the milk or reduce the shemai as in order to get creamy pudding we need more milk than the shemai . I just made the shemai as mentioned above , then add some extra milk . But for your convenience , giving you the measurement for it .So here you go with the ingredients :

2 and 1/4 th cup of milk
1/3 rd cup powder milk
1/4 rd cup colorful vermicelli
1/4 rd cup regular shemai
1/3 rd cup – 1/2 cup sugar or according to your taste
2 green cardamoms
1 small stick of cinnamon
2 eggs
Rosewater
Dried nuts and raisin
Tabak or edible silver foil

Procedure :

1. Make colorful dudh shemai . With less shemai , the shemai would look little runny . Yes we need that consistency . Let it cool completely .

2. Beat 2 eggs with a fork . Don’t use blender and don’t beat vigorously. Now mix it with the cooled shemai .

3. Pour it on a mold . Cover the mold and steam like caramel custard /pudding/ flan . Don’t steam too much . I steamed a bit longer due to my son’s devastating activites !! 😛 just forgot controlling him .
Overturn on a serving plate when cooled down .

For the creamy pudding follow the tips I mentioned in another post . Here is the link;
https://khadizaskitchen.com/2013/07/24/pudding-cream-caramel-flan/

008

Methi Beef

009

This preparation is a combination of “Kata moshlar mangsho” and my “white beef curry” . So different in flavor yet so delicious . This a slow cooked process . The meat need to be cooked on low heat .

Ingredients :

1 kg beef ( if you wish you can use mutton , lamb or goat meat)
1 and 1/2 cup thinly sliced onion ( not chopped)
1/4 th cup onion paste
3 tbl spoon sliced ginger
2 tea spoon ginger paste
1 tbl spoon garlic paste
5/ 6 whole garlic cloves
1/3 rd cup yogurt
10/ 12 dried red chili in halves ( or according to taste )
Salt to taste
Oil

Masala packet:

2 tea spoon fenugreek seed ( methi seed)
1 tbl spoon whole coriander seed ( dhonia seed)
1/2 tbl spoon whole cumin seed ( jeera )
1 tea spoon fennel seed ( mouri)
1 stick of cinnamon
6 or 7 green cardamom
1/2 tbl spoon black pepper
8-10 cloves
2 bayleaves

Procedure :

1. Marinate the meat with all the ingredients mention above , except dried red chilies .

2. Now take a maslin or cheese or cotton cloth and put all the whole spices mentioned for masala packet . Tie up the cloth into a packet .

3. Heat oil and add the meat . add little water . Add the masala packet into the meat and close the lid . Cook on low flame . The meat will release water and will cook in it’s own water . So you need to keep the flame on low and the lid must be on .

4 . Check every 30 minutes . If you need , if the water is dried out add hot water little by little and cook . When the meat is almost done add the dried red chilies and cook another 15-20 minutes on low flame .

5. Just when you turn off the stove , take out the masala packet from the meat and keep the meat pot on the turned off stove with lid on .

Enjoy !!!

Notes:

If you wish , you can add 1 tea spoon kasori methi at the end . But I found the whole methi brings out the real flavor .

Achar Gosht/ Meat curry with pickle spices

003

When I was a little kid ,the next day of Eid ul Adha ,there had always been a Eid get together party either at our place or at one of my Uncle’s place ( my father’s friend) . At uncle’s place the special items on the menu had always been “Bhuna khichuri” and “Achari gosht” . I can never forget that taste . That beautiful golden color of the meat curry with unforgettable achari flavor .

Wanted to get that golden color so badly , achari gosht without that golden color always seemed so unappealing to me . Each curry should have it’s own special color . To me Achari gosht has to be that bright golden colored othar than red or dark . 🙂

For the flavor , that aunt always used to use her homemade mango or olive pickles . I don’t know which of the spices she used to put in but one thing I know so correct for sure , there is no use of garam masalas ( Cinnamon, cardamom, bayleaf , clove and black pepper) , either whole or grounded . Only the spices , that are used for making pickle should be used .

Ingredients:

1 kg of beef/ Mutton
2 large onion paste
2 tbl spoon ginger paste
2 tea spoon garlic paste
5 or 6 whole garlic cloves
1/2 tea spoon turmeric
2 tea spoon red chili powder
4/6 dry red chilies , split in halves
1/2 cup any deshi style mango or olive pickle ( I prefer the brand Nicobena)
Salt to taste
Oil
Mustard oil
1/2 tbl spoon achari spice mix

For the achari spice mix :

Cumin seed ( jeera) 1 tbl spoon
Coriander seed ( whole dhonia) 1 tbl spoon
Indian 5 Spice ( panch foron) 1 teaspoon
Nigella/ black cumin/ kalojeera half a teaspoon
Fennel/ mouri half a teaspoon
Fenugreek half a teaspoon
Musturd seed half a teaspoon
Turmeric powder half a teaspoon ( optional)

Crush all the ingredients together into a coarse powder ( it must not be fine). Don’t dry roast anything except cumin .

Procedure:

1. Mix the onion , ginger , garlic paste with the meat . Now heat the oil and add the meat with the marinade . Cook on medium low flame with lid on . The meat will release water and will cook on it’s own water . The meat need to be cooked on medium low flame and the lid must be on .

2. After 40 minutes , the meat is half done , add the turmeric , chili powder . The reason behind adding it now is to maintain that golden bright color . In the mean time before adding chili-turmeric powder , if you need , you may add little water too if you think it may get burnt at the bottom as the gravy dried out too much . Add little water and salt . Cook little while , then add the final water . Not too much and cover the lid and cook for another 20- 30 minutes or until the meat is tender .

3. Add the Whole garlic and the pickles . Add 1/2 tbl spoon achari moshla and mustard oil . Add the dried split red chilies .Now simmer the meat another 10-15 minutes on low flame with lid on .

Ready !!!

Notes :

1. Sometimes it happens , you don’t have the pickles in hand . Inthis situation , doubl up the chari moshla . Like instead of half tbl spoon, take 1 tbl spoon and add little vinegar , like 1 tea spoon while cooking . 🙂

2. be careful about the using of salt . The pickles have salt too . So don’t add too much salt while cooking the meat .

Dam/ Dum Kabab

014

In Bangladesh , we have a cooking legend . There is probably no home without the cookbook she wrote . She is Late Siddika Kabir . She is the inspiration for many including me . I grew up with her book . Tried it or not , almost memorized many of her recipes . I love making kababs . So her recipe on dam kabab always attracted me a lot . But , for unknown reason never tried to give it a go !! Just recently I had this beautiful kabab in one Indian restaurant and they are so damn good . The recipe once again struck my mind and made me to try that immediately .
Well , though inspired by Siddika Kabir , I wanted to give it my version and I tried my best to achieve restaurant like flavor and maintain the original Hyderabadi recipe . Alhamdulillah , the result is awesome !!

Ingredients :

1 lb ( pound) beef mince
3/4 th heaped tea spoon heaped ginger paste
3/4 th tea spoon garlic paste
1/2 tbl spoon raw papaya paste with skin or finely grated raw papaya with skin
3 tbl spoon fried onion or bereshta
1/2 tea spoon chili powder
1 tea spoon paprika ( for color)
1/2 tea spoon dry roasted cumin ( jeera) powder
1/2 tea spoon cinnamon ( darchini) powder
1/2 tea spoon nutmeg powder
1/2 tea spoon garam masala/ kabab masala powder
2 tbl spoon chopped mint/pudina
1 beaten egg
1 tbl spoon cream ( optional)
1/2 tbl spoon yogurt
1 tbl spoon ghee
3 tbl spoon dry roasted chickpea powder or dry roasted besan or 1/3 rd cup breadcrumb
Salt to taste ( around 3/4th tea spoon)

Procedure:

1. Blend the mince again in a food processor with egg .

2. Now mix all the ingredients together and marinate for at least 1 hour . If you wish , you can give it charcoal smoke . For giving charcoal smoke , lit one piece of charcoal very well on stove top . Now place it on a small aluminium or foil cup and place it on the bowl of meat . Now add some ghee over the charcoal , that would create smoke . Immediately cover the bowl with a lid ,so that the smoke remains inside and the meat is smoked well . This smoking process gives you a restaurant like flavor .

3. Take a baking proof bowl or pan , lay the mince on the pan evenly . Now bake it in a preheated oven for 25 minutes @ 400 FH . Broil for another 5 minutes .

Cool a little and slice the kabab before you serve . You may shape it in a shape of loaf and name it “Kabab Loaf”. It is indeed our desi version of meatloaf !! 😀

Notes :

1. Those who doesn’t have oven at home , they can do it on stovetop too . For that, take a large aluminium or other metal pot ( other than nonstick) on the stove top . Heat that pot , then place the kabab bowl into the pot and cover the lid of the pot . Try to use closed lid box to lay the kabab mince . The tiffin carier bowl can be a good option . The whole process would help creating the oven effect . Cook it like 30 minutes or until done .
016

Khashir rezala / Mutton Rezala

019

No matter how hard we try , it is not easy to make the “biye bari style” ( wedding style rezala in Bangladesh) rezala at home . But just did little research and found that use of cracked( half broken but intact) handful of green chilies and polau er ator or biriyani scent along with keora makes it taste almost the same as biye bari style . But after adding keora , polau ator and green chilies , just cover the lid until you serve to retain it’s fragrance . 🙂

Ingredients :

1 kg mutton
1 and half tbl spoon of ginger paste
1 tbl spoon of julian cut ginger
1 tbl spoon of garlic paste
3/4 th cup of bereshta ( golden brown , but don’t make it too dark)
1 tea spoon of green papaya , grated with green skin
1/2 cup of yogurt
1/4 th cup of sweet yogurt
1/2 ( half) teaspoon of turmeric
2 tea spoon of chili powder
2 black cardamom
4/5 green cardamom
1 star anise ( optional)
1 cinnamon stick
1/2 tea spoon of mace
1/4 th tea spoon of nutmeg powder
2 bay leaves
4/5 kashew and 1 tea spoon posto , grinded together
2 tbl spoon cream ( Dano canned cream or clotted cream will work better)
Special garam masala powder ( apply all )
Mawa 1/4 th cup
12-15 whole green chili
Ghee
Salt
Biriyani scent ( good quality )/ polau er Ator
Keora water

For the special garam masala :
1 tea spoon whole corriander
1 tea spoon of jeera
1 tea spoon of fennel ( mouri)
2 cardamoms
4/5 cloves
5/6 black pepper
Don’t dry roast . Just grind them into a fine powder and apply all .

Procedure:
1. Marinate the mutton with all the ingredients , except ghee and green chili , over night . The more the better .

2. Heat ghee and add the mutton with the marinade . Add little water, like 1/4 th cup .Cook on low flame with lid on for 1 hour . The mutton will release water if needed add little more water . Cook on low flame another 30 minutes . Add little water and crack 12-15 green chilies , add into it . Add the mawa and cream . Cover the lid and cook for another 30 minutes . You can always check the water .

3. Apply few drops of good quality biriyani scent or keora water . Keep on dum until you serve .

Kaliji Bhuna/ Beef or goat liver bhuna

011

Eid-ul-Adha was never complete without Kaliji bhuna and parathas in the next morning of Eid !! Ahhhhh !!! After coming to USA , I started my culinary journey alone . Mom is not there , Aunts are not there , none , whom I can ask for “Garma garam ” / just fried parathas and liver bhuna . Everytime I tried making them , they became so hard , hard as a rubber , tasteless and tough . I didn’t know , what could be the problem . I tried every single tips my Mom gave ; don’t cook too much , don’t add salt before . But still then !!! I gave up thinking may be only few can cook kaliji perfect , unfortunately I’m not one of them !! Well , until I came across some of my Pakistani neighbors and I realized the mistake . Yes I do wash kaliji in boiling water which is a complete no no. The moment I found out the mistakes I made ,till then , I love cooking kaliji/ liver . Instead of being upset , now everytime I cook them ,I always feel like , I am really one of those luckiest people who can cook kaliji properly !! 😀 Yahoooooo !!!

Before I share the recipe , I would like to share some tips . Many , just like the old me , “the unhappy , total failure kaliji cook” ,complain that their lever bhuna gets tight, smelly and rubbery !!! here you go with some tips , if you follow , you will never go wrong !!

1. Don’t try to wash the lever with hot water . We don’t need hot water to let the blood and impurities inside the lever come out . Just use regular water . Soak the lever in regular , normal temperature water with salt and little vinegar for minimum half n hour . Change the water . Repeat the process 3 times . No need to use vinegar these times . Soak the lever in water only . You will see the color of the lever changed and there is no more red , bloody water .
Soak the lever in milk for another half n hour . Wash with water. This process would help the lever not to smell bad and to be cleaned properly .

2. Don’t over cook the lever , that would make it tight and rubbery . Maximum 15 -20 minutes . The time may vary depending on the stove and the power . The easiest way to know the kaliji is done , is to poke a toothpick , if it comes clean and without hassle , it is done . So don’t use lots of water to cook the lever.

3. Don’t add salt before you finish cooking . Add salt at the end of the cooking . If you add salt before , the lever will get tight and at the same time no spice is going to get inside it as salt tends to lock the flavor . Just add salt at the end and enjoy flavorful kaliji bhuna .

4. Another important point , many says that the kaliji looks so dark . The reason behind is kaliji gets darker with time . The fresh liver or kaliji will look less dark than the days old liver . So try to cook the liver immediately .

5. If you can manage do the cleaning process without cutting the liver in pieces . Just but the whole , intact liver than wash as mentioned above . Then cut in pieces . It helps to prevent the liver to get darker ,at the same time removes bad smell from it .

Now Let’s come to the recipe ;

Ingredients :

1 lb beef/ mutton liver
1 large onion , thinly sliced , ( around 3/4 th cup)
1 tbl spoon ginger paste
2 tea spoon garlic paste
3 or 4 garlic cloves , pounded
1/2 tea spoon turmeric powder
2 tea spoon chili powder
4 green cardamoms
1 stick of cinnamon , (2″ stick )
2 bay leaves
Salt to taste
oil
Whole green chilies
Kaliji masala , apply all

Kaliji Masala :

3/4 th tea spoon dry roasted cumin powder ( bhaja jeera gura)
1/2 tea spoon dry roasted coriander powder
1/2 tea spoon fennel / sauf/ mouri powder
1/4 th tea spoon nutmeg powder,

1/4 th teaspoon mace powder
3 green cardamoms,1 black cardamom

2 dry roasted red chilies ( don’t blacken )

1/4 tea spoon nigella/ kalojeera

1/4 tea spoon fenugreek or methi

1 tea spoon black pepper
4/5 cloves

Grind them together in fine powder .

Procedure :

1. Take little kaliji masala and rub on the kaliji , that would help to remove the bad smell too .

2.Heat oil and add the whole garam masalas- cardamoms , cinnamon and bay leaf . Add the sliced onion and fry until golden brown . Now add ginger paste , garlic paste . Add little water . Now Add chili powder , turmeric powder , pounded garlic and cook . Cook the masalas well until the raw flavor is gone . Careful , don’t burn the masala , or don’t burn the onions or make it too dark , resulting in dark kaliji bhuna .

3. When the masalas are cooked well , add the kalijis/ liver and cook them on medium flame . Add water little by little and cook until the kalijis are almost done and the water inside it dries out . Now add little water and cook until the desired consistency comes . Just little before of turning off the stove , 5 minutes earlier, add salt and whole green chilies . Don’t add salt at the very begining of cooking , that would make the kaliji hard too . Add the kaliji masala at the end of the cooking , turn off the stove and keep the kaliji pot on the warm stove with lid on until the oil separates .

Notes :

1. many loves cubed potatoes with kaliji bhuna . You can add the potatoes just before adding the kalijis .

2. Sometimes we cook the kidneys , lungs along with liver . Remember , kidney( gurda) , Lungs (phepsa) takes more time to cook than the kaliji . So When cooking together . Add the gurda and phepsa before kaliji and when those are half done , add the kaliji .

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⧍.āϤ⧇āϞ āĻ—āϰāĻŽ āĻ•āϰ⧇ āφāĻ¸ā§āϤ āĻ—āϰāĻŽ āĻŽāĻļāϞāĻž āĻĻāĻŋāύ.āĻ¸ā§āϞāĻžāχāϏ āĻ•āϰāĻž āĻĒāĻŋ⧟āĻžāϜ āĻĻāĻŋā§Ÿā§‡ āĻŦāĻžāĻĻāĻžāĻŽā§€ āĻ•āϰ⧇ āϭ⧇āĻœā§‡ āĻāϕ⧇ āĻāϕ⧇ āĻ›ā§āϝāĻžāϚāĻž āϰāĻļ⧁āύ, āĻĒāĻŋ⧟āĻžāϜ āĻŦāĻžāϟāĻž, āφāĻĻāĻž āĻŦāĻžāϟāĻž,āϰāĻļ⧁āύ āĻŦāĻžāϟāĻž āĻĻāĻŋā§Ÿā§‡ āĻ­āĻžāϜ⧁āύ.āĻ…āĻ˛ā§āĻĒ āĻĒāĻžāύāĻŋ āϝ⧋āĻ— āĻ•āϰ⧇ āĻšāϞ⧁āĻĻ āφāϰ āĻŽāϰāĻŋāĻšā§‡āϰ āĻ—ā§ā§œāĻž āĻĻāĻŋā§Ÿā§‡ āĻ­āĻžāϞ⧋ āĻ•āϰ⧇ āĻ•āώāĻžāύ.  āĻ•āϞāĻŋāϜāĻž āĻĻāĻŋāύ.āĻ…āĻ˛ā§āĻĒ āĻ…āĻ˛ā§āĻĒ āĻĒāĻžāύāĻŋ āĻĻāĻŋā§Ÿā§‡ āĻ•āώāĻžāύ.āĻ…āĻ˛ā§āĻĒ āĻĒāĻžāύāĻŋ āĻĻāĻŋā§Ÿā§‡ āĻĸ⧇āϕ⧇ āĻĻāĻŋāύ.
ā§Š.āĻ•āϞāĻŋāϜāĻž āĻŦ⧇āĻļāĻŋāĻ•ā§āώāύ āϰāĻžāĻ¨ā§āύāĻž āĻ•āϰāϞ⧇ āĻļāĻ•ā§āϤ āĻšā§Ÿā§‡ āϝāĻžā§Ÿ. ⧍ā§Ļ āĻŽāĻŋāύāĻŋāĻŸā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻŋāĻĻā§āϧ āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇. āĻāχ āϏāĻŽā§Ÿ āϞāĻŦāύ āφāϰ āφāĻ¸ā§āϤ āĻ•āĻžāϚāĻžāĻŽāϰāĻŋāϚ āĻĻāĻŋā§Ÿā§‡ āφāϰ⧇āĻ•āϟ⧁ āϰāĻžāĻ¨ā§āύāĻž āĻ•āϰ⧇ āϚ⧁āϞāĻž āĻŦāĻ¨ā§āϧ āĻ•āϰ⧇ āĻĻāĻŋāύ. āϤ⧇āϞ āωāĻĒāϰ⧇ āωāϠ⧇ āφāϏāϞ⧇ āĻ¸ā§āĻĒ⧇āĻļāĻžāϞ āĻŽāĻļāϞāĻžāϰ āĻ—ā§ā§œāĻž āĻĻāĻŋā§Ÿā§‡ āύāĻžāĻŽāĻŋā§Ÿā§‡ āĻĒāϰāĻŋāĻŦ⧇āĻļāύ āĻ•āϰ⧁āύ.
āĻ•āϞāĻŋāϜāĻž ,āϗ⧁āĻ°ā§āĻĻāĻž āϰāĻžāĻ¨ā§āύāĻžāϰ āϏāĻŽā§Ÿ āĻĒā§āϰāĻĨāĻŽā§‡āχ āϞāĻŦāύ āĻĻāĻŋāĻŦ⧇āύ āύāĻž.āϤāĻžāϤ⧇ āĻ•āϞāĻŋāϜāĻž āĻļāĻ•ā§āϤ āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇.
Tips:
āĻ•āϞāĻŋāϜāĻŋ āϭ⧁āύāĻž āĻ•āϰāϤ⧇ āĻ—āĻŋāϝāĻŧ⧇ āϝ⧇ āĻ…āĻ­āĻŋāϝ⧋āĻ— āϗ⧁āϞ⧋ āφāĻŽāϰāĻž āĻ•āϰ⧇ āĻĨāĻžāĻ•āĻŋ, āϤāĻž āĻšāϞ⧋
ā§§āĨ¤ āĻ•āϞāĻŋāϜāĻŋ āϰāĻžāĻ¨ā§āύāĻžāϰ āĻĒāϰ āĻļāĻ•ā§āϤ āĻšāϝāĻŧ⧇ āϗ⧇āϛ⧇āĨ¤
⧍āĨ¤ āĻ•āϞāĻŋāϜāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻ—āĻ¨ā§āϧ āφāϏ⧇āĨ¤
ā§ŠāĨ¤ āĻ•āϞāĻŋāϜāĻŋāϰ āϰāĻ‚ āĻ•āĻžāϞ āĻšāϝāĻŧ⧇ āϗ⧇āϛ⧇āĨ¤
āĻāĻ–āύ āϚāϞ⧁āύ āϏāĻŽāĻžāϧāĻžāύ āϗ⧁āϞ⧋ āĻĻ⧇āĻ–āĻŋāĨ¤
ā§§āĨ¤ āĻ•āϞāĻŋāϜāĻŋ āϝāϤ āϰāĻžāĻ¨ā§āύāĻž āĻ•āϰāĻž āĻšāϝāĻŧ, āϤāϤ āĻļāĻ•ā§āϤ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤ āφāĻŽāϰāĻž āĻ…āύ⧇āϕ⧇ āĻ—āϰāĻŽ āĻĒāĻžāύāĻŋāϤ⧇ āĻ•āϞāĻŋāϜāĻŋ āϏāĻŋāĻ§ā§āϧ āĻ•āϰ⧇ āĻĒāĻžāύāĻŋ āĻĢ⧇āϞ⧇ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāĻŋ , āĻĢāϞāĻžāĻĢāϞ āĻļāĻ•ā§āϤ āĻ•āϞāĻŋāϜāĻžāĨ¤
āĻ•āϞāĻŋāϜāĻŋ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āϰāϤ⧇ āĻ—āϰāĻŽ āĻĒāĻžāύāĻŋāϤ⧇ āϏāĻŋāĻ§ā§āϧ āĻ•āϰāĻžāϰ āĻĻāϰāĻ•āĻžāϰ āύ⧇āχāĨ¤ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻžāϰ āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ• āϤāĻžāĻĒāĻŽāĻžāĻ¤ā§āϰāĻžāϰ āĻĒāĻžāύāĻŋāϤ⧇ āĻ…āĻ˛ā§āĻĒ āĻ­āĻŋāύ⧇āĻ—āĻžāϰ āφāϰ āϞāĻŦāύ āĻĻāĻŋāϝāĻŧ⧇ āĻ•āϞāĻŋāϜāĻž āφāϧāĻž āϘāĻ¨ā§āϟāĻž āĻ­āĻŋāϜāĻŋāϝāĻŧ⧇ āϰāĻžāϖ⧁āύāĨ¤ āĻĻ⧇āĻ–āĻŦ⧇āύ, āĻ…āύ⧇āĻ• āϰāĻ•ā§āϤ āĻŦ⧇āϰ āĻšāĻŦ⧇ āĨ¤ āĻ“āχ āĻĒāĻžāύāĻŋ āĻĢ⧇āϞ⧇ āĻĻāĻŋāϝāĻŧ⧇ āĻāĻ•āĻŋ āĻ­āĻžāĻŦ⧇ āφāϰ ⧍ āĻŦāĻžāϰ āϟāĻŋ āĻ•āϰ⧁āύāĨ¤ āĻĒāϰ⧇āϰāĻŦāĻžāϰ āϗ⧁āϞ⧋āϤ⧇ āĻ­āĻŋāύ⧇āĻ—āĻžāϰ āĻĻ⧇āϝāĻŧāĻžāϰ āĻĻāϰāĻ•āĻžāϰ āύ⧇āχāĨ¤
āĻĻ⧇āĻ–āĻŦ⧇āύ āĻļ⧇āώ⧇āϰ āĻĻāĻŋāϕ⧇ āϰāĻ•ā§āϤ āĻĒāĻžāύāĻŋ āĻ•āĻŽā§‡ āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻĒāĻžāύāĻŋ āĻŦ⧇āϰ āĻšāĻŦ⧇āĨ¤ āĻāĻ•āĻĻāĻŽ āĻļ⧇āώ⧇ āĻĻ⧁āϧ⧇ āĻ•āϞāĻŋāϜāĻŋ āĻ­āĻŋāϜāĻŋāϝāĻŧ⧇ āϰ⧇āϖ⧇ ā§§ā§Ģ/⧍ā§Ļ āĻŽāĻŋāύāĻŋāϟ āĻĒāϰ⧇ āϧ⧁āϝāĻŧ⧇ āĻĢ⧇āĻ˛ā§āϞ⧇ āύāĻž āĻĨāĻžāĻ•āĻŦ⧇ āĻ—āĻ¨ā§āϧ, āφāϰ āϖ⧇āϤ⧇āĻ“ āĻ…āύ⧇āĻ• āĻŽāϜāĻž āĻšāĻŦ⧇āĨ¤
⧍āĨ¤ āĻ•āϞāĻŋāϜāĻž āϏāĻŽāϝāĻŧ⧇āϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āĻ•āĻžāϞ⧋ āĻšāϤ⧇ āĻĨāĻžāϕ⧇, āϤāĻžāχ āϝāϤāχ āĻĒ⧁āϰ⧋āύ āĻ•āϞāĻŋāϜāĻž, āϤāϤ āĻŦ⧇āĻļāĻŋ āĻ•āĻžāϞāĻšā§‡ āϰāĻ‚ āĻšāϝāĻŧāĨ¤ āĻĒ⧁āϰāύ⧋ āĻ•āϞāĻŋāϜāĻž āϰāĻžāĻ¨ā§āύāĻž āĻ•āϰāϞ⧇ āĻļāĻ•ā§āϤāĻ“ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤
āϟāĻžāϟāĻ•āĻž āϰāĻžāĻ¨ā§āύāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āφāĻ¸ā§āϤ āĻ•āϞāĻŋāϜāĻž āωāĻĒāϰ⧇āϰ āύāĻŋāϝāĻŧāĻŽā§‡ āϧ⧁āϝāĻŧ⧇ āϟ⧁āĻ•āϰ⧋ āĻ•āϰāϞ⧇ āĻ•āĻžāϞ āĻ•āĻŽ āĻšāĻŦ⧇āĨ¤
ā§ŠāĨ¤ āĻŽāĻžāĻ‚āĻļ⧇āϰ āĻŽāϤ āĻ…āύ⧇āĻ• āϏāĻŽāϝāĻŧ āϧāϰ⧇ āĻ•āϞāĻŋāϜāĻž āϰāĻžāĻ¨ā§āύāĻž āĻ•āϰāϤ⧇ āĻšāχ āύāĻžāĨ¤ ⧍ā§Ļ/⧍ā§Ģ āĻŽāĻŋāύāĻŋāϟ āĻāϰ āĻŦ⧇āĻļāĻŋ āϞāĻžāϗ⧇ āύāĻžāĨ¤ āϏāĻŋāĻ§ā§āϧ āĻšāϝāĻŧ⧇āϛ⧇ āĻ•āĻŋāύāĻž āϤāĻž āĻŦā§‹āĻāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻž āϟ⧁āĻĨāĻĒāĻŋāĻ• āĻĻāĻŋāϝāĻŧ⧇ āĻĒāϰāĻŋāĻ•ā§āώāĻž āĻ•āϰāϞ⧇ āĻŦā§‹āĻāĻž āϝāĻžāĻŦ⧇āĨ¤
ā§ĒāĨ¤ āϖ⧁āĻŦ āϜāϰ⧁āϰāĻŋ āĻāĻ•āϟāĻž āϟāĻŋāĻĒā§āϏ, āĻ•āϞāĻŋāϜāĻž āϰāĻžāĻ¨ā§āύāĻž āĻ•āϰāĻžāϰ āϏāĻŽāϝāĻŧ āĻĒā§āϰāĻĨāĻŽā§‡āχ āϞāĻŦāύ āĻĻāĻŋāϝāĻŧ⧇ āĻĻāĻŋāĻŦ⧇āύ āύāĻžāĨ¤
āϤāĻžāϤ⧇ āĻ•āϞāĻŋāϜāĻž āϏāĻŋāĻ§ā§āϧ āĻšāϤ⧇ āϚāĻžāϝāĻŧ āύāĻž, āĻļāĻ•ā§āϤ āĻšāϝāĻŧ⧇ āϝāĻžāĻŦ⧇ āφāϰ āĻŽāĻļāϞāĻž āĻĸ⧁āĻ•āϤ⧇ āϚāĻžāϝāĻŧ āύāĻžāĨ¤
āϰāĻžāĻ¨ā§āύāĻž āĻļ⧇āώ āĻšāĻŦāĻžāϰ āĻ•āĻŋāϛ⧁ āφāϗ⧇ āϞāĻŦāύ āĻĻāĻŋāϤ⧇ āĻšāĻŦ⧇āĨ¤

 

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